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Issue 69.1 March 2017

  • “2CV Theatre: Transgression, Nostalgia, and the Negative Space of French Street Theatre,” by David Calder
  • “An Algerian in Paris: Habib Benglia’sThe Emperor Jones,” by Katie N. Johnson
  • Mostly Young Women with Quite Traditional Tastes: Empirical Evidence for National Contemporary Audiences of Xiqu,” by Josh Stenberg and Jason J. P. Cai
  • “The Captain in LA: Reza Abdoh’s Bricolage and the Rise of Neoliberalism,” by Guy Zimmerman

The issue is rounded out by a book review essay (“Dance Dramaturgy in Theory and Practice,” by Ariel Nereson), in addition to performance reviews and book reviews.

Please visit our website at: jhuptheatre.org/theatre-journal for additional video material, data, and images, to accompany the essays in this issue.

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