Look inside Modern Drama fall 2016 issue

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Modern Drama, 59:3, Fall 2016
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This issue contains:

Mirror, Mirror, on the Wall: The Mirror Effect in Jean Anouilh’s Le voyageur sans bagage
Hope Christiansen
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Meta-Melodrama: Branden Jacobs-Jenkins Appropriates Dion Boucicault’s The Octoroon
Verna A. Foster
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Compromised Epistemologies: The Ethics of Historiographic Metatheatre in Tom Stoppard’s Travesties and Arcadia
Phillip Zapkin
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Broken Glass: Fifty Years Forward to the Past
Terry Otten
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Freedom as Praxis: Migdalia Cruz’s Fur and the Emancipation of Caliban’s Woman
Armando García
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Uncanny Repetitions in Lillian Hellman’s The Children’s Hour
Neil Cocks
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Reviews

Henry Bial, Playing God: The Bible on the Broadway Stage
Rebecca Kastleman
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Frederick Burwick, British Drama of the Industrial Revolution
Alex Eric Hernandez
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Donna Coates, ed., Sharon Pollock: First Woman of Canadian Theatre
Rosalind Kerr
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Lynette Goddard, Contemporary Black British Playwrights: Margins to Mainstream
Nicola Abram
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Miriam Haughton and Mária Kurdi, eds., Radical Contemporary Theatre Practices by Women in Ireland
Elizabeth Mannion
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Daniel Sack, After Live: Possibility, Potentiality, and the Future of Performance
Jennifer Parker-Starbuck
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Mark B. Sandberg, Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny
Sos Eltis
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